zoom H4N or TASCAM DR-100
These little devices are indispensable as video production field recorders, Thanks to their low $300 price tags and stunning stereo sound quality. you can employ the onboard mics, Which do a great job
new jersey video production
automatically, Or attach external mics, because both versions can be recorded onto its own separate track in 4-Channel recorder mode on the H4N.The sound quality of these affordable devices adds a boat load of production value to a low-expense dSLR shoot, As dSLR onboard mics sound pretty terrifying. Even if there is a higher-End field recorder and mics for most of your capture, The H4N can be used to capture ambient sounds to layer in during post or do quick ADR sessions while your actors are on set. Have an assistant to be able to actors to a quiet area and re-Record all their lines some people choose to continue shooting. These takes can then be used to restore any garbled lines recorded by your main unit.
One know: The units lack Time Code motors, Meaning all syncing should be done visually using waveforms.
Monopod
Having a lightweight, Collapsible monopod tucked into my gear bag has come in extremely handy when I least expected it on dSLR video production. a reliable monopod costs around 20 bucks and is way lighter than any tripod. besides allowing me to shoot smooth pans with my dSLR with a much smaller footprint than a tripod, I have likewise used my monopod as a boom pole which I attach my H4N to directly.
For shoots in nature, personally i new jersey video production have tried my monopod as a walking stick. A bonus is the security felt by having a six-Foot pole with which to potentially beat off wildlife! In a joyful mood? cellular limbo-staff! to be serious though, It's a very versatile tool which can even be used as a stablizing device as I explain in this other Examiner article on Cheap or Free leveling/Steadicam Tricks.
18% dreary Card
Setting proper exposure is best done with a quality professional light meter. faced with without one (They is usually a bit pricey), Then another solution for setting exposure quickly in area of is an 18% gray card. This is a card with a neutral color cast that contains 18% black (On a scale where 0% is pure along with white and 100% is pure black). your able to use the card to set the exposure on your dSLR and avoid blowing out your whites.
A secondary use of the card is to set your white balance. For most dSLRs it works just as well as a white card and not have to carry something else in your gear kit. For even more accurate color a static correction in post, select a three-Card set manufactured with pure white, 18% gray and pure schokohrrutige. when you frame your shot and set exposure, Shoot a few seconds of the cards and use this footage in post to alter your white, Grey and black levels in your color corrector applying the eye-Dropper product.
desire a free card? Wilsonart will send you FREE samples of their laminate which will come in handy in a pinch. I acquired a black, White and grey card their own in 3 x 5 sizes (purchase "flat" conclusion for low reflectivity), And used a brass binder to hold them overall. The gray can be quite close to a pro gray card, Close enough to neutral to do the trick for most shooters on a budget.
collapsible Reflector
When on a dSLR fire, I new jersey video production like to travel as lightly as you're able. because new jersey video production of this, I prefer collapsible reflectors as opposed to carrying Styrofoam boards around. in addition to being inconvenient, Large boards have a tendency to act like sails when not in use and fly around, actually whacking your actors or your gear.
The sinkable reflector I use shrinks to 12" When folded and hang in its case, Making it much less of a hazard and very mobile around. it's great to bounce a little fill on an actor's face or to reduce harsh light by acting as a shade.
Extra entertainment Cards
marketing cards, that include SD or P2 cards, Can die at the worst possible moment. This miserable event happened to me once while setting up to shoot a live theater performance. I had tested the camera earlier and all was well. For some inexplicable reason, yet, When I turned your camera on to start recording, My camera stated an SD new jersey video production card error. mercifully, I had an extra, Which i then formatted and used to record the show without further problems. What would I have done without it extra card? I shudder to think of the disappointing conversation with my clients that would have occurred had I not had that spare little card in my gear bag new jersey video production.
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